Hell Hath No Fury by Robin Cross and Rosalind Miles - book cover, description, publication history. ![]() In Hell Hath No Fury, Rosalind Miles and Robin Cross prove that although many of their stories have been erased or forgot. The Ohio Digital Library. Subjects. Find great deals for Hell Hath No Fury : True Stories of Women at War from Antiquity to Iraq by Rosalind Miles and Robin Cross (2008, Paperback). Shop with confidence. Hell hath no fury : true profiles of women at war from antiquity to Iraq / Author: Rosalind Miles and Robin Cross. Publication info. In Hell Hath No Fury, Rosalind Miles and Robin Cross prove that. In Hell Hath No Fury, Rosalind Miles and Robin Cross prove that although many of their stories. For the homonymous articles, see. Faith Lehane. Buffy against vampires. the actress interpreting Faith, in London Expo, on October 16th, 2004. (VF: Sophie Riffont). First appearance. Last appearance. Angel and Faith (Comic). 3, 4 and 7 (Buffy). 1, 2 and 4 (Angel). Buy a cheap copy of Hell Hath No Fury: True Stories of Women. by Rosalind Miles and Robin Cross. Hell Hath No Fury: True Stories of Women at War from Antiquity to. Faith Lehane one is created by for series, action of which is in the fictitious city of, and its stemming series, as for her centered on. Faith is interpreted by. It is one which appears for the first time in. The character serves at the same time of and d' to the heroine, her also Killer of vampires. Appearances (¦) television (¦) on 1998-1999: Season 3 Buffy (¦). The character of Faith appears for the first time during. The girl afterwards succeeds in having been speeded up as following death of () in episode, herself speeded up after the death of Buffy in. She tries to escape the vampire, which killed its first one under the eyes, that she ends up killing. She is introduced as liking sex, violence and food. In spite of a past, she tries to integrate in. In episode, where she draws Buffy away in her entertainments, that is to say to dance, to steal weapon and to go hunting, Faith kills by chance a human being whom she takes for a vampire. She betrays Scooby-gang then and forms an alliance with (), the mayor of Sunnydale and main villain of season, having killed her second Mr Trick who tried to kill Buffy, with whom she develops a relation sincere father-daughter. Having tried to kill the vampire on order of the mayor (), the lover of Buffy, Faith fights against her during the final episode of season. Faith takes out living, but is conquered and is plunged into the coma, during her psychical trip she helps Buffy to conquer The Mayor by saying to him that it is it his weak point. On 2000: Season 4 from Buffy and season 1 d' Angel (¦). Faith réapparait series in two episodes of. Taken out from the coma, she manages to exchange her body with that of Buffy with the aid of a mystical object left in testament by the mayor. While Buffy, in Faith's body, is stopped by, Faith saw the existence of Buffy. Having felt obliged to save prisoners from kept persons, Faith fights again against Buffy and both killers take back their respective bodies. Faith manages to run away. The Killer having decided to go in, history goes on in. She is engaged by to assassinate Angel. She tortures (), her third Observer, to lead Angel to kill her. But this one realises it and refuses to comply. He manages to persuade her to face up consequences of his actions and guides her on course for the redemption. Faith devotes herself then of herself to the police. She is in a prison for women, where Angel regularly comes to visit her. On 2003: Season 4 d' Angel and season 7 Buffy (¦). In, the soul of the eponymous vampire is withdrawn to it and it becomes again diabolic Angelus. Wesley then visits Faith in prison and persuades it to get away to neutralise Angelus. In order to do that, Faith is injected a mystical drug and makes drink its blood to Angelus, which also absorbs the drug. Angel and they die her from it almost, but manage to escape mutually during a psychical trip. () give again its soul to Angel and request then to Faith to accompany it in Sunnydale to fight. The character appears then in. While she was before very solitary, Faith becomes again friendly with Buffy and makes friends with, to the point where these choose her as leader instead of Buffy. This decision turns out to be disastrous: the plan of Faith drives the Potential in a trap, causing the death of some of them. Faith loses so his leader's status but begins a relation with (). One was envisaged, and would have started where stops series Buffy. According to, Faith would have «probably been on a motorbike, going through the Earth, searching his place in the world». Eliza Dushku had however already got involved for the first role of series, and was therefore unavailable. Comics (¦). The comic first in who Faith appears is. He takes place while she is in prison and while she entrusts to Angel her memories of her coma. She shared then a psychical link with the mayor and could see across the eyes when it attacked people during the delivery of certificates in episode. In, comic second where the character appears, Faith is provisionally liberated from prison by Angel to save Buffy du Fléau, demons' organisation. Faith also appears in. In (No Future for You), request to Faith to seep through to, a Killer rebels, and to kill her. "Gigi" tries to take the place of Buffy and to become the leader news of the Killers. Faith strikes up a friendship with Gigi and is in the middle of battle between her and Buffy, during whom she kills Gigi accidentally. The arch ends when Giles offers to Faith to guide the Killers so that no follows the same way as her and Gigi. Faith appears in, who tells one of his missions there. In, last narrative arch of season, Faith participates in final battle against Twilight and inherits all Giles's belongings, except for his book on vampires, by the testament of this last. Faith leaves Killers group of Buffy and to join Angel in England. Both team to find their redemption finally in series. Faith helps Angel in his objective to revive Giles and they end up arriving at it having gathered all pieces of his soul and killed the demon Eyghon, with the help of Spike, but the Observer occupies from now on the body of a twelve-year-old child. They moreover have to face up the threat represented by Whistler, the ancient mentor of Angel. After their victory on Whistler and his diabolic allies, Angel decides to stay in London while Faith and Giles go back to the United States. Faith decides to work in the agency of bodyguards founded by but is hurt when Giles leaves her abruptly to find Buffy. News (¦). Buffy the Vampire Slayer: The Faith Trials, Flight. 1 is one of episodes of season 3 Buffy centered around Faith, notably, and. History stretches of Faith's arrival in up to its allegiance to the mayor. Go Ask Malice, news written in form of diary, tells Faith's life before it arrives at Sunnydale. Concept and creation (¦). « I know that Faith could not really make the cover of Sanity Fair but life did not spare her. If circumstances had differred, she could be me. — Buffy becoming identified with Faith in episode, echoing the parallel between the Killers wanted by the scriptwriters. Faith was initially conceived as «the way not borrowed», as a Killer who made the bad choices in life. It is a reflexion of Buffy, and more precisely it than Buffy would have been able to become if she had not been supported by her friends and her family. Whedon says that they wanted «to explore what mean "be a Killer". Linked power, pleasure that he can follow from it, but also to what extent it can be intoxicating. We used Faith». For, it is «the darkest face of what is possible follow to be invested with the powers of a Killer». The question which wanted to answer the scriptwriters is this one:« although made by same "raw materials", how education and environment affect the type of persons that they will be in their life?» Joss Whedon describes Faith as all what Buffy would never leave itself become; although Buffy is attracted by the way Faith saw himself Killer, she decides finally to make different choices. With Faith, the authors explore the nature of power, as well as the borders and consequences of its use. They want to show that if a Killer kills good or bad creatures, she stays nevertheless a professional killer. For, Faith is not wrong when she defines Buffy and them as murderers. He expresses idea that for Faith, his contributions to the society relieve it from any liability moral or lawful, point of view was not shared by Buffy. Petrie drew inspiration from the character of comics, was conceivable by, to create Faith. «In a different context, more, more teenager, Faith resembles Elektra a lot». For, if Faith attracts sympathy so much, it is thanks to his relation father / girl with the mayor. Its purpose, with other scriptwriters, was to return both the most human possible characters by showing that they need as much relations and love as the heroes. Eliza Dushku maintains that links between Faith and the Mayor come due to the fact that he is one of the rare persons not to belittle her, and due to the fact that it is one of the things for which she struggled all her life. Characterisation (¦) name of the character (¦). "Faith", that is to say «» in English, is a violently ironic «name» according to Petrie, given the nature of the character. According to him, «she is the character having least the faith of all. She believes neither in her, nor in person around her». His surname is not given in series; he gave later the name of "Lehane" in reference to the origins of the character, the district of (" Southie "). Social class (¦). described Faith as the «Killer of», thinking that it is the reason for which so many persons become identified with the character. , in Sex and the Slayer: To Gender Studies Primer for the Buffy Fan, relay of many indications going to this sense. The fact that she does not finish her studies, as her the said in episode or its family tormented history (notably the alcoholism of her mother) is so many elements linked to the working class in series. Happiness and suffering (¦). she described as a character. «The key to include Faith, it is his suffering. If you take away this, it becomes a monster. But she is so much alone and desperate person and all her hardness is only a camouflaging try. It is of this that are made the true monsters. Nobody thinks that they are really monsters. » His suffering is underlined by in episode. She wonders about Faith's motivations and when this one, in the body of Buffy, moves hypothesis forward« that this pleases her to be just like that», Joyce is not persuaded:« I will never believe this. I think that she is dreadfully unhappy». Greg Forster, in Buffy the Vampire Slayer and Philosophy: Fear and Trembling in Sunnydale, brings closer to the exchange of body of Buffy and Faith in this episode by the experience of thought of In where of a bad person who would be taken for virtuous and of a virtuous person taken for bad. For Karl Schudt, Faith begins by rejecting traditional morality because she sees there only a continuation of bans without justification, as proves him her parody of Buffy in A revenante, left 2: «Why should not you make this? Because it is wrong!». While living the life of Buffy she becomes aware of the misfortune and where she adheres to morality. Independence (¦). Petrie maintains that Faith's biggest motivation is its search of a family and of friends; she sees as the mother that she has never had, as the friends whom she has never had, Richard Wilkins as the father whom she has never had. «She is always in research of a family, goes up to it tremendously and then makes these horrible choices, and it makes her crazy», asserts Petrie. «"If you do not love me, you are going to fear me" sound is a bit. She is not a stable girl but a funny girl. » According to J. Michael Richardson and J. Douglas Rabb, Faith searches the approval leaving in Sunnydale, having lost his respect of herself at the same time as his watcher. For them, if she joins the mayor, it is to escape reproving look of Buffy as well as guilt to have killed a man. The mayor says to him besides, in episode, that' «no father could more be proud». But she cannot always avoid consequences of her acts, as Buffy points him out to him: «Faith, you can shut off all the emotions that you want. Eventually purpose, they' re gonna find has body. »(«Faith, you can make hush up about your emotions as much as you want. But they / they will end up finding a body. » ). Buffy speaks at the same time about the body of the assassinated man, whom authorities will end up finding, and Faith's body, to whom emotions will make felt all weight of guilt. He follows a long way towards the redemption, which also succeeds on its independence. When, taken out from prison, she is again defined as criminal by at the same time Wesley and Angelus, she succeeds in avoiding it, asserting «I changed», proof which she begins defining herself by herself. His expressions of type [¦]. in Sex and the Slayer: To Gender Studies Primer for the Buffy Fan, described the different / expressions of type of Faith. She is first extremist - sexualisée: the character of Willow describes her as " alluring bitch " in episode; to kill vampires thrills him, she sleeps with to throw him then in a connoted way as "masculine"; in the body of Buffy, she has a long bath, stage often analysed as a form of / relation sexual and echoing the lesbian implying between her and Buffy, enticed in, and tries to make love with way and. She contrasts with other characters of series who make love only as part of stable emotional relations. Jowett describes the attitude as «a way to avoid in'». She also notes other elements which contribute to "make Faith look masculine ", notably the fact that she feels self-sufficient and her inability to express her emotions, considered quality as "female". During his return, in, Faith changed. Although Buffy, in, feels threatened by complicity between Faith and Spike, although she takes the role of leader to in or although she makes love with in, she is not any more in an optics of "virile « competition with Buffy. She is not either solitary any more but makes friends with, knowing each by the forename. Finally, she begins a true relation with Robin Wood with whom she develops an emotional link. Jowett describes Wood as a tamer, the one who liberates her from «his uncontrollable appetites for violence and sex by making him accept the responsibilities which go with fact to be a powerful warlike». Possession of the dirk (¦). In episode, the mayor gives to Faith a dirk which she admires sensually. She has the dirk therefore in sense where the object belongs to her, but also because she invests it émotionnellement, she puts in it her petrol. Richardson and Rabb maintains even that it becomes the dirk, as warlike object carrying out the wills of the mayor. So, she frees itself from her responsibility and from her guilt, feelings that feel the persons and the objects. So, when Buffy catches the dirk and turns it against Faith, she makes him become aware réflexivement of her guilt. During its coma, Faith's dreams stage Buffy following her with the dirk: she represents guilt, sartrien Look, to which Faith still tries to avoid. When, taken out from the coma and in the body of Buffy, she hits her body, had by Buffy by shouting over «You' re nothing! Murderous bitch!» («You are nothing! Bloody bitch!»), "Nothing" can be understood at the same time as a "nothing", in sense where she does not have importance, but also in a sense of "nothingness", of "non-thing" (No-thing) as in Sartre. Faith not being an object, she has the capacity to evolve, therefore to get her. Appeased relations (¦)In the episode of season 1 d’ Angel, Sanctuary, Faith manages to make friends with Angel explain that Angel manages to help him because himself am capable of understanding the suffering which she crosses and to help him to pay for her sins. She manages then to return the lift in season 4 d’ Angel, where she is then the only person caused to conquer Angelus without killing Angel in passage. says about it that «the scriptwriters thought that it was an interesting dynamics that to have an ancient" bad chorus girl" who fulfils a heroic action against the principal character become the villain of series. « I love Buffy, but I am happier when I create characters faulty, harmed, characters who do not always make good decisions. Faith is a so complex, so nice character. For, «[Faith] was a so crucial character at a very particular instant of series», that it was impossible to plan to go without her for last season of Buffy. The dynamics between both Killers complexifiée, allowing to the scriptwriters to use Faith as a critical point of view on leader's qualities of Buffy no and not as a lethal enemy. In episode The Sling, do not trust them any more in Buffy and choose Faith as leader news, a decision which blows up to them literally in the face. As explains it, «Faith is as the nice aunt whom everybody loves, because the nice aunt does not have the responsibility to bring up the children. She is fair there and has a good time. Problem is that Faith is not ready to run. She is too much destroyed and begins barely sticking together again her own pieces. So big is the desire of being Buffy, she must learn to become Faith». References (¦). • (in) This article am partly or entirely coming from the article of Wikipédia in title «» (). • Episode, 21 e episode of the second season of series Buffy against vampires. Broadcast for the first time on the October, 1998 on the chain. Other credits:. • Episode, third episode of the third season of series Buffy against vampires. Broadcast for the first time on the May, 1998 on the chain. Other credits:. • Episode Revelations, seventh episode of the third season of series. Broadcast for the first time on the November, 1998 on the chain. Other credits:. • Episode El Eliminati, fourteenth episode of the third season of series. Broadcast for the first time on the February, 1999 on the chain. Other credits:. • ↑ and Episode Above laws, fifteenth episode of the third season of series. Broadcast for the first time on the February, 1999 on the chain. Other credits:. • Episode The ceremony, left 1, 21 e episode of the third season of series. Broadcast for the first time on the May, 1999 on the chain. Other credits:. • Episode A revenante, left 1, fifteenth episode of the fourth season of series. Broadcast for the first time on the February, 2000 on the chain. Other credits:. • Episode A revenante, left 2, sixteenth episode of the third season of series. Broadcast for the first time on the February, 2000 on the chain. Other credits:. • Episode five on five, 18 e episode of the first season of series. Broadcast for the first time on the April, 2000 on the chain. Other credits:. • Episode Sanctuary, 19 e episode of the first season of series. Broadcast for the first time on the May, 2000 on the chain. Other credits: Michael Swaddling clothes. • Episode awakening, tenth episode of the fourth season of series. Broadcast for the first time on the January, 2003 on the chain. Other credits:. • Episode Faith's return, thirteenth episode of the fourth season of series. Broadcast for the first time on the March, 2003 on the chain. Other credits: Jefferson Kibbee. • ↑ and Episode Liberalisation, fourteenth episode of the fourth season of series Angel. Broadcast for the first time on the March, 2003 on the chain. Other credits:. • Episode, fifteenth episode of the fourth season of series. Broadcast for the first time on the March, 2003 on the chain. Other credits: Mere Smith. • Episode satirises Her, 19 e episode of the seventh season of series. Broadcast for the first time on the April, 2003 on the chain. Other credits:. • Episode Counter-attack, 20 e episode of the seventh season of series. Broadcast for the first time on the May, 2003 on the chain. Other credits:. • Episode the end of time, left 1, 19 e episode of the seventh season of series. Broadcast for the first time on the May, 2003 on the chain. Other credits:. • Episode The end of time, left 2, 22 e episode of the seventh season of series. Broadcast for the first time on the May, 2003 on the chain. Other credits:. • Woman Fatal, May / June, 2003. Information taken back by (there) (· · · •) (consulted on March 24th, 2013), and (there)). • (in) Jane Espenson, Julio Ferreira, Jeromy Cox, Buffy the Vampire Slayer: Haunted, titan Books Ltd, 2002 (). • (in) Buffy the Vampire Slayer: Underground, Dark Horse Comics, on 2003 () notes the. • (w), Georges Jeanty (p), Andy Owen (i). {{{title}}}) (September, 2007). • (there) (w), Georges Jeanty (p), Andy Owen (i). {{{title}}}) (October, 2007). • (there) (w), Georges Jeanty (p), Andy Owen (i). {{{title}}}) (November, 2007). • (there) (w), Georges Jeanty (p), Andy Owen (i). {{{title}}}) (December, 2007). • (there) (w), Cliff Richard (p), Andy Owen (i). {{{title}}}) (April, 2009). • (in) Joss Whedon (w), Georges Jeanty (p), Andy Owen (i). {{{title}}}) (January, 2011). • (in) James Laurence, Buffy the Vampire Slayer: The Faith Trials, Flight. 1, 2001 (). • (in) Robert Joseph Levy, Go Ask Malice: In Slayer' s Diary, Pocket Books, on 2006 (). • ↑, and. (2001). "season 3 Overview" (Buffy the Vampire Slayer, The Complete Third season DVD SPECIAL FEATURES) [DVD (Region 2)]. United States: 20th Century Fox. • ↑ and, Sue Tjardes, "Yew tree You' re Not Enjoying It, You' re Doing Something Wrong": Textual and Viewer Constructions of Faith, the Vampire Slayer, p. 70. • ↑, and, p. 368-369. •, on whedonesque. com. • Episode, sixteenth episode of the third season of series. Broadcast for the first time on the February, 2000 on the chain. Other credits:. (2 '15 - 2' 31). • (in) Buffy the Vampire Slayer and Philosophy: Fear and Trembling in Sunnydale. Pharmacopoeia 1, section 1 "Faith and Plato: "You' re Nothing! Disgusting, Murderous Bitch!"", p. 15-17. • (in) Buffy the Vampire Slayer and Philosophy: Fear and Trembling in Sunnydale. Pharmacopoeia 1, section 2 "Also Sprach Faith: The Problem of the Happy Rogue Vampire Slayer", p. 25-33. • ↑ and (in) The Existential Joss Whedon: Evil and Human Freedom in Buffy the Vampire Slayer, Angel, Firefly and Serenity by J Michael Richardson and J Douglas Rabb. Chapter "" published on Slayage. com. •, Sue Tjardes, "Yew tree You' re Not Enjoying It, You' re Doing Something Wrong": Textual and Viewer Constructions of Faith, the Vampire Slayer, p. 71. • ↑, and, p. 86. • Episode the box of Gavrock, 19 e episode of the third season of series Buffy against vampires. Broadcast for the first time on the May, 1999 on the chain. Other credits:. •. (2001). "Featurette: season 1" (The Complete First season DVD SPECIAL FEATURES) [DVD (Region 2)]. The United States: 20th Century Fox. •. (2004). "Prophecies: season 4 Overview" (The Complete Fourth season DVD SPECIAL FEATURES) [DVD (Region 2)]. The United States: 20th Century Fox. • (····) (Mars consulté le 24 2013). •. (2004). "vue d'ensemble saison 7 - Buffy : Plein Cercle" ('Buffy le Meurtrier de Vampire Le Septième DVD saison Complet Traits Spéciaux) [DVD (région 2)]. Les États-Unis : 20th Century Fox. Bibliographie [|]. • (demi-cadratin) James South, Buffy le Meurtrier de Vampire et la Philosophie : Peur et Tremblant à Sunnydale, Cour Ouverte, 2008, 335 p. (). • (demi-cadratin) J Michael Richardson, J Douglas Rabb, Joss Whedon Existentiel : Liberté Méchante et Humaine dans Buffy le Meurtrier de Vampire, Angel, la Luciole et Serenity, McFarland & Company, 6 2006 décembre, 204 p. (). • (demi-cadratin), Sexe et le meurtrier : un sexe étudie l'amorce pour le ventilateur de Buffy, la Presse universitaire Wesleyenne, 2005, 241 p. (). • (demi-cadratin) Christopher Golden, Stephen R. Bissette, Thomas E. Sniegoski, Le Livre de Monstre, Simon Spotlight Entertainment, 1 er aout 2000, 384 p. (). • (demi-cadratin) Frances H. Early, Kathleen Kennedy, les Filles d'Athena : les Nouveaux Guerriers de Femmes de Télévision, l'université de Syracuse, mai 2003, 175 p. (). • (demi-cadratin) Rhonda Wilcox, en Luttant contre Les Forces : qu'est-ce qui est En jeu Dans Buffy Le Meurtrier de Vampire ?, Rowman & Littlefield Publishers, avril 2002, 320 p. (). • (demi-cadratin) Roz Kaveney, en Lisant le Meurtrier de Vampire : Le Compagnon Critique Indépendant à Buffy et Angel, Livres de poche de Tauris Parke, 12 2002 janvier, 232 p. (). • (demi-cadratin), Jeff Mariotte, Maryelizabeth Hart, le Guide De l'observateur, le Tome 2, Simon Spotlight Entertainment, 2001, 304 p. ().
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